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叛逆 Factieuse

傻驢老師 Prof Salut

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叛逆《Factieuse

傻驢老師第一個嘗試跳脫古典跟當代的作品。電子迷幻中帶著懸疑與都會科技感,讓聽眾有起伏的期待,卻又不會產生莫名的壓迫感,非常適合朝九晚五下班後飛往太空途中的天馬行空。

整首作品的初衷並沒有特別設定任何方向,除了節奏鼓組之外,僅透過三聲音元素進行,但運用了許多當代音樂創作手法當中的交錯與不規則節奏,即使聽起來像是相同的動機不斷反覆,但在不規則的節奏當中,卻擁有清晰的節拍,這是一種叛逆的表現。

如同她的自述:「規則是什麼?我就是要在不規則當中找到自己的規則與邏輯,聽起來一切都結合在一起,但每個線條聲部卻又可以獨立被拆解,每個音的存在都是主角的概念。因此沒有多餘的修飾及聲音上的處理,只有純粹。」

 

This is Prof Salut's first attempt to break away from classical and contemporary music works. A feel of electrical psychedelic with a sense of suspicion and modern technology allows the audiences to have surging expectation without inexplicable oppression. It is a music piece that very suitable for white-collars to imagine freely to outer space after off work.

The original intention of this music work did not explicitly set in any direction. Except for the rhythm drum kit, it was only carried out through three sound elements, but it used many interlaced and irregular rhythms in contemporary music creation techniques. Even if it seems like the same motives are repeated, but in the irregular rhythm, it has a definite beat. This is a representation of a rebellious performance.

In her self-illustration: "What are the rules? I just want to find my own rules and logic in the irregularities. It sounds like everything is combined, but each line part can be dismantled independently. Existence of every sound is the concept of the protagonist. Therefore, there is no additional modification and sound processing. The music is just pure."